WORLD BALLET DAY 2018

🌸🌸HAPPY WORLD BALLET DAY🌸🌸
I hope everyone enjoys dancing around in their tutus and tiaras or even socks and sweats – joining together to celebrate one of the most beautiful and special art forms there is.
Stay tuned all day with companies around the world streaming life from the studio and stage:
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Performing as the Sylph in Peter Schaufuss’s La Sylphide

With love,

Harriet

The Dressing Room of a Ballerina

Oh to be a fly on a ballerina’s dressing room wall. A space just for us amongst our tutus and friend

The theatre becomes a dancer’s second home, a place where we spend at least 50% or more of our daily waking hours. We work there, we eat there, we shower, dress and sleep there. Our friends are usually with us and its the place we do what we love most, dance.

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My first year at the Hammond School with my fellow dancers at our end of year production – Ruth Bailey, Risa Nakagawa, Anna Haresnape, Katrina Budzynski

It’s because of all these reasons that it becomes a very important building for us, and one of the most important rooms in this building is our dressing rooms.

This is where the beauty of ballet meets the ugly on a daily bases

When I was younger and performed once or twice a year in a theatre the dressing rooms were already one of the best parts and when I was part of a dance school, I remember it being so exciting to get our dressing rooms, all the girls together just like the professionals – we were just so grown up. And I was probably deep down even more excited when I first joined a professional company and found my own permanent spot in the dressing room. I had made it. Continue reading “The Dressing Room of a Ballerina”

Goals of the Dancer

Setting your own personal goals to get you from one company goal to the next

Each season ballet companies have the exciting chance to work towards and bring to life premieres. Whether that’s a world premiere of a new creation or the first time that particular company performs a ballet, they are always a huge highlight of the year.

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❝The goal that has been the main focus within the whole ballet company is reached❞

The process involves resident or guest choreographers/teachers coming to the theatre and working with the dancers – creating or teaching the steps and staging the whole production. Weeks if not months are spent putting the piece together and it will be the main focus of the company the majority of that time. Other performances are often performed during the preparation time but there will be much happening behind the scenes for the premiere.

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Working towards our La Sylphide premiere in 2016 with the choreographer Peter Schaufuss

The hype leading up to opening night is very exciting. After weeks of studio time, we finally start having stage run-throughs and orchestra rehearsals, then costumes are added, with lights and sets filling the stage, bringing everything together. The dancers get comfortable with the new space and atmosphere during a week of dress rehearsals and corrections. The days quickly tick by and we find ourselves on opening night.

The moment is here. The curtain goes up.

And then… it’s all over. Everything you have worked for is behind you. The goal that has been the main focus within the whole ballet company is reached. The focus must now shift and it is always a strange time. To come back to the barre after a premiere is often a little difficult. So you have to find the next goal to work towards.

Which can be much easier said than done. The excitement that has gotten you into work for the past few weeks is now gone. The quiet ‘after’ the storm. And although I think a little ‘calm’ is good, if not needed, especially if the body has been under a lot of stress, it can become mundane and I think this feeling should not last too long.

I have noticed throughout my years of working, it always helped me to have something to aim towards. Whether that is at work or not, having goals help me get out of bed in the morning and focus my mind to keep pushing to improve.

❝I have passions outside of dance and finding achievement in those areas of my life still gives me a boost❞

In the studio, this can be working towards a new role, but we can’t always count on being given this option, so I like to set personal goals in the studio or within roles I am already dancing. Working on steps you know can be improved in class or focusing on an upcoming performance and finding new ways to develop there. Nothing is lost and then you can take that improvement into the next goal you set.

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Teaching has become a new passion of mine (Working at KNT Danceworks in Manchester)

However, recently I am enjoying finding goals outside of dance (but possibly still connected). Putting my energy into other things has given me energy for work too. Learning I have passions outside of dance and finding achievement in those areas of my life still gives me a boost.

Keep it interesting. It is never good to be too focused on one thing. Dancers can tend to get wrapped up in our world but breaking out of it can help it grow and develop something that can always be improved. Keep reaching for new goals, it always feels so good when they are reached and will keep the post-premiere lul at bay.

With love,

Harriet

 

Main picture: Jochen Klenk

 

Can’t Keep Those Dancing Feet Still

Dancers literally never stop moving, whether at work or not, our feet find rhythm in silence. But apart from never sitting still, we are constantly trying to move in more ways than the obvious one. The best kind of dancers are forever trying to improve themselves and their work – never wanting their performances to stop developing and because of this, ballets themselves are steadily growing and changing each time they are performed.

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In ‘Anne Frank’ rehearsal with Andre Shatalin 📷: Admil Kulyer

Ballerinas are often never satisfied, and even though they may look perfect to their adoring audiences, there is always something they will have wanted to be better, even the best of them. But that is what makes them the best.

❝I am always hoping to do it better than the last time I did it❞

Continue reading “Can’t Keep Those Dancing Feet Still”