Never Say Never

Just when you think a ballet is behind you, they have a tendency to come back and teach you something new

I have often been proved wrong when thinking I was dancing something for the last time. Just when you think the curtain has gone down on a particular role or piece it ends up finding its way back to you. And more often than not, it’s the ones you were glad to say goodbye to.

❝It seemed like an impossible thing for me to ever dance & I never imagined I would have the opportunity to give it a go❞

Recently this seems to be happening a lot to me and it is proving to not be such a bad thing after all. For this post, I want to share two particular pieces that have found their way back to me and dedicate another to the recent return of our Swanlake and my upcoming shows of Odette/Odile, which I think definitely needs its own mention.

So for now, I take you back to the end of last season when we performed Kenneth McMillan’s ‘Concerto’ in our yearly gala here in Karlsruhe. ‘Concerto’ is a one-act ballet in three movements choreographed in 1966 for the Berliner Ballett and was staged for the Royal Ballet Touring Company in 1967. Our company had to learn it in just two weeks with Julie Lincoln teaching and staging the piece. This ballet was not completely new to me as I performed ‘Concerto’ while at The Royal Ballet School for my graduating performance in 2010. I was part of the third movement assemble, and now, 8 years later, I was cast for the third movement Solo Girl.

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Backstage of the Royal Opera House at the age of 18 during ‘Concerto’ rehearsals

I was delighted, albeit a little nervous to be chosen to dance this role as I remember admiring the girl who performed it at school. At that time it seemed like an impossible thing for me to ever dance and I never imagined I would have the opportunity to give it a go. At that age and time in my life, dancing such a solo was the scariest thing I could imagine. Continue reading “Never Say Never”

Pain as a Constant Companion

Reflecting on my interview with Sarah Nagel about my career and life as a ballet dancer

When Sarah Nagel, a journalist and friend, asked if I would like to be interviewed by her for the Sunday newspaper here in Karlsruhe I jumped at the opportunity. It was a pleasure to wake up this morning with my face on the front page and a beautifully written article to read while sewing pointe shoes on my day off. I have to admit reading about yourself over morning coffee is a joy, but another part of doing interviews I really appreciate is getting the chance to remind myself of where I have been and where I am now.

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‘Pain as a Constant Companion’ is the translated title of Sarah’s article in ‘Der Sonntag” as Sarah wanted to know the personal difficulties I have faced as a student and professional dancer and we talked about the hardship of physical and mental pain ballerinas face.

Things that affected me so much at a younger age seem so small now

Continue reading “Pain as a Constant Companion”

WORLD BALLET DAY 2018

🌸🌸HAPPY WORLD BALLET DAY🌸🌸
I hope everyone enjoys dancing around in their tutus and tiaras or even socks and sweats – joining together to celebrate one of the most beautiful and special art forms there is.
Stay tuned all day with companies around the world streaming life from the studio and stage:
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Performing as the Sylph in Peter Schaufuss’s La Sylphide

With love,

Harriet

The Dressing Room of a Ballerina

Oh to be a fly on a ballerina’s dressing room wall. A space just for us amongst our tutus and friend

The theatre becomes a dancer’s second home, a place where we spend at least 50% or more of our daily waking hours. We work there, we eat there, we shower, dress and sleep there. Our friends are usually with us and its the place we do what we love most, dance.

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My first year at the Hammond School with my fellow dancers at our end of year production – Ruth Bailey, Risa Nakagawa, Anna Haresnape, Katrina Budzynski

It’s because of all these reasons that it becomes a very important building for us, and one of the most important rooms in this building is our dressing rooms.

This is where the beauty of ballet meets the ugly on a daily bases

When I was younger and performed once or twice a year in a theatre the dressing rooms were already one of the best parts and when I was part of a dance school, I remember it being so exciting to get our dressing rooms, all the girls together just like the professionals – we were just so grown up. And I was probably deep down even more excited when I first joined a professional company and found my own permanent spot in the dressing room. I had made it. Continue reading “The Dressing Room of a Ballerina”

Goals of the Dancer

Setting your own personal goals to get you from one company goal to the next

Each season ballet companies have the exciting chance to work towards and bring to life premieres. Whether that’s a world premiere of a new creation or the first time that particular company performs a ballet, they are always a huge highlight of the year.

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❝The goal that has been the main focus within the whole ballet company is reached❞

The process involves resident or guest choreographers/teachers coming to the theatre and working with the dancers – creating or teaching the steps and staging the whole production. Weeks if not months are spent putting the piece together and it will be the main focus of the company the majority of that time. Other performances are often performed during the preparation time but there will be much happening behind the scenes for the premiere. Continue reading “Goals of the Dancer”

Can’t Keep Those Dancing Feet Still

Dancers literally never stop moving, whether at work or not, our feet find rhythm in silence. But apart from never sitting still, we are constantly trying to move in more ways than the obvious one. The best kind of dancers are forever trying to improve themselves and their work – never wanting their performances to stop developing and because of this, ballets themselves are steadily growing and changing each time they are performed.

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In ‘Anne Frank’ rehearsal with Andre Shatalin 📷: Admil Kulyer

Ballerinas are often never satisfied, and even though they may look perfect to their adoring audiences, there is always something they will have wanted to be better, even the best of them. But that is what makes them the best.

❝I am always hoping to do it better than the last time I did it❞

Continue reading “Can’t Keep Those Dancing Feet Still”