Goals of the Dancer

Setting your own personal goals to get you from one company goal to the next

Each season ballet companies have the exciting chance to work towards and bring to life premieres. Whether that’s a world premiere of a new creation or the first time that particular company performs a ballet, they are always a huge highlight of the year.

IMG_6373

❝The goal that has been the main focus within the whole ballet company is reached❞

The process involves resident or guest choreographers/teachers coming to the theatre and working with the dancers – creating or teaching the steps and staging the whole production. Weeks if not months are spent putting the piece together and it will be the main focus of the company the majority of that time. Other performances are often performed during the preparation time but there will be much happening behind the scenes for the premiere.

IMG_1602
Working towards our La Sylphide premiere in 2016 with the choreographer Peter Schaufuss

The hype leading up to opening night is very exciting. After weeks of studio time, we finally start having stage run-throughs and orchestra rehearsals, then costumes are added, with lights and sets filling the stage, bringing everything together. The dancers get comfortable with the new space and atmosphere during a week of dress rehearsals and corrections. The days quickly tick by and we find ourselves on opening night.

The moment is here. The curtain goes up.

And then… it’s all over. Everything you have worked for is behind you. The goal that has been the main focus within the whole ballet company is reached. The focus must now shift and it is always a strange time. To come back to the barre after a premiere is often a little difficult. So you have to find the next goal to work towards.

Which can be much easier said than done. The excitement that has gotten you into work for the past few weeks is now gone. The quiet ‘after’ the storm. And although I think a little ‘calm’ is good, if not needed, especially if the body has been under a lot of stress, it can become mundane and I think this feeling should not last too long.

I have noticed throughout my years of working, it always helped me to have something to aim towards. Whether that is at work or not, having goals help me get out of bed in the morning and focus my mind to keep pushing to improve.

❝I have passions outside of dance and finding achievement in those areas of my life still gives me a boost❞

In the studio, this can be working towards a new role, but we can’t always count on being given this option, so I like to set personal goals in the studio or within roles I am already dancing. Working on steps you know can be improved in class or focusing on an upcoming performance and finding new ways to develop there. Nothing is lost and then you can take that improvement into the next goal you set.

IMG_5840
Teaching has become a new passion of mine (Working at KNT Danceworks in Manchester)

However, recently I am enjoying finding goals outside of dance (but possibly still connected). Putting my energy into other things has given me energy for work too. Learning I have passions outside of dance and finding achievement in those areas of my life still gives me a boost.

Keep it interesting. It is never good to be too focused on one thing. Dancers can tend to get wrapped up in our world but breaking out of it can help it grow and develop something that can always be improved. Keep reaching for new goals, it always feels so good when they are reached and will keep the post-premiere lul at bay.

With love,

Harriet

 

Main picture: Jochen Klenk

 

Getting to the ‘Pointe’

Firstly, I must apologies for my recent absence from the blog but I took the time to put together a video I want to share with you in this post about the ballerinas tool – the pointe shoe.

Just like in Cinderella’s tale each ballerina has their perfectly fitting pair of pointe shoes. And even though a prince may not place the slipper onto our foot, for a ballerina it sure feels that way when we find our perfect pair of pointe shoes to perform happily ever after in.

IMG_3910

Pointe shoes are our tools and I don’t think it is always known by the public how crucial it is for them to be perfect for each dancer and how essential it is to have comfortable, well-fitting and well-made pointe shoes, not only to dance at our best but to prevent injuries caused by ill-fitting shoes. Dancers spend their whole careers looking for the perfect shoe and having so many makes of pointe shoes out there, with each one having a catalogue of different styles to choose from it can be a long and difficult process to find the right style and maker for you.

Throughout my years of dancing, I have used about 6 or 7 different makes of shoes after starting pointe work at the age of 11. I joined The Royal Ballet School wearing Bloch (if I pointe shoe diagramcan remember correctly) and during my time there I tried shoes from Suffolk, Bob Martin and the Freed of London company – where I had customised pairs that I continued to wear into my first year as a professional dancer. Customised shoes are wonderful as you can cater the shoe to your own foot and personal requirements, e.g. the hardness or length of the schank, the vamp depth, the height of the heel, etc. It really can be a luxury to have this option but not always possible or necessary and as I said before all makes have a variety of different styles with large and small differences between each.

The cost of the shoes can also vary from around 50 – 100€, an expenditure that can build up as the shoes don’t last forever. Unfortunately, as a student, the cost falls usually onto your own lap, or more accurately the lap of the dancer’s helpful parents, and I remember always trying to find ways to lengthen the life of my pointe shoes using ‘special’ glue to keep them sturdy.

Continue reading “Getting to the ‘Pointe’”