I am sure all of the above come to mind, and it is true, we ballerinas can be all those things, (I try to convince myself I am a princess every day) but in this post, I want to focus on the ballerina and her flexibility.
Flexibility is a very useful and often needed attribute of a dancer but I would not say it is always the most important. Yes, some days, if not all, I would give my right arm to be more flexible but as I have gotten older and (hopefully) wiser, not only have I decided my right arm is a part of me I would not want to lose, I have also come to realise I can be ok the way I am.
I wanted to show my appreciation for this great person by dedicating this post to him and his work. Including a short interview about him, his past and his future. Flavio Salamanka, you will be missed.
Last Sunday we danced our final performance of the season which is always an exciting evening – another year completed, another year survived. However this year, not only was it a great one, it was also a very sad show for Karlsruhe StaatsBallett, as it was the last ever performance of our Kammertänzer Flavio Salamanka, a dancer who has been with the company since the beginning and who I have had the chance to dance many roles with and learn so much from.
We have had the pleasure of watching Flavio in numerous classical leads such as Swan Lake and Nutcracker to the more modern lead roles in A Midsummers Night’s Dream and Rusalka. Flavio has done it all. And he has done us proud. He has been such a big part of the company and many members of the public have followed his career over the 14 years he has danced here. Continue reading “Goodbye My Friend”→
As a follow up to my post ‘Sticks & Stones May Break My Bones but Dancing Does Too’, where I wrote about how my stress fracture came about and dealing with returning to work, I wanted to share my ongoing experience with the physical side of the recovery to help anyone else who is struggling coming back from an injury.
I have to say it has not been easy, as I am sure no injuries are, and it took much longer than I first expected for me feel like I am dancing as I did before the injury last May. Originally I came back feeling good, thinking I had done everything needed to have a fully healed foot but since then numerous problems and pains have bothered me, with days where my foot still doesn’t feel ‘right’, even after a year.
Another year passed and a new one begins. Happy New Year everyone!
I hope you all left 2016 feeling content with what last year brought you and leapt into 2017 excited for all the possibilities you can bring to the new year ahead.
I learnt a lot in 2016. Being filled with moments of happiness and times of sadness, it was definitely a year of change and growth, which is what every year should involve. I did not only grow one year older (ouch) but I believe my heart grew larger for the wonderful people I hold close and my brain grew wiser due to tough situations and learning how to handle them correctly. You only learn through experience.
It was a year full of dance, like most of my years are. I was promoted to principle and danced my first premiere in the leading role, both being things I never thought possible. 2016 also came with my first injury and unfortunately that will be something I will have to bring with me into the new year: bones take a long time to heal. May 2017 be the year of healthy bones.
I will happily be carrying my blog with me into the new age. Being something I was very sceptical of at first but now am so deep into the joy of sharing my little life with anyone interested, I am more than thrilled to introduce A Ballet of Life to 2017. I hope it can grow and expand even more in the year to come.
A new year is full of potential and will no doubt bring each of us new challenges – offering very different yet very exciting things on the horizon. I want to once again dance my way through the year and am very interested to see what that brings me. I aim to allow all the things I learnt in the year just passed to influence what happens to me in the year at present. I step into January 1st with my point shoes at the ready, all wide-eyed and full of anticipation for what ballet will bring me in 2017.
May your year be full of the things you love most and be brightened by some form of beautiful art too.
A few weeks ago I was asked by Alex if I would like to take part in her interview series about young creatives and their way of life for her blog page ‘Alex In Allem’, and of course, very flattered I said yes.
It was a great experience to work with her interesting questions and in the end, I found answering them showed me how much I have learnt through my life and helped me see my life as it is now. It was a really good exercise for me to express my past experiences and question my future ones. I hope you enjoy reading it as much as I did writing it.
Find below the link to the interview – originally in English but translated into German for her page (a treat for all my German friends):
How is it already the second week of December? My advent calendar is slowly emptying, snow has already fallen, Christmas markets are buzzing like always, and as the days tick towards the 25th (24th here in Germany), the music of the much-loved ballet ‘The Nutcracker’ is filling theatres all over the world and Karlsruhe is no exception. Tis’ the season to be jolly and what better way to get in the festive mood than dressing up as a snowflake and jumping out of giant presents.
We have been dancing Youri Vámos’s ‘The Nutcracker – A Christmas Story’ since the first year I joined the company. The storyline combines the original Nutcracker with Charles Dickens’s ‘A Christmas Carol’. It was actually the first premier I experienced back in 2010. I had just graduated from the Royal Ballet School, and after performing my last Grand Defile with the school and a night celebrating with fellow classmates for the last time, I flew to Karlsruhe to spend a week with the company while they started learning the ballet.
A few weekends ago I was lucky enough to have my sister visit me for a few days so I thought it was the perfect time for me to introduce her to my story. Having known me for all my life and me being her much-awaited baby sister, and her my exemplary big sister, we are definitely two peas in a pod.
Growing up together Rebecca and I were very happy, busy girls. After school, our evenings were full of many hobbies and activities. You name it we did it. At the age of three, I joined my sister for ballet, tap, and jazz classes every Saturday with Lynn McCheyne. It was actually not something I loved at first, only doing it because my sister did, so we never imagined that chubby little Harriet would become a professional ballerina.
Tonight will be this season’s first performance of our ballet creation ‘Anne Frank‘. And it will be a pleasure to bring it back to life. Since premiering last season, ‘Anne Frank’ has been a great success which means a lot to the company because it was created by one of our very own dancers, Reginaldo Oliveira. I have briefly mentioned this creation before and as I am sure you can tell from the name it is a piece with so much meaning and history.
Originally from Brazil, Oliveira moved to Germany to join Karlsruhe Staatsballett 10 years ago and discovered his talent for choreography while working within the company. He has had the chance to create many pieces with the dancers here but ‘Anne Frank’ was his first full-length ballet.
When I first heard we would be creating the story of this little girl’s diary from the Second World War I was very intrigued. I had a feeling Reginaldo would find a new interesting way to tell such a tragic tale. I have heard similar comments asked by the public, wondering how someone would portray such horrific history with ballet. But after experiencing the ‘holding onto the happiness while heading towards darkness’ opening scenes and the ‘hear a pin drop’ silence during the concentration camp second act, their questions were all answered.
I have the honour of taking on the role of Edith Frank, Anne’s mother. A modest, distant woman, but an excellent mother, who went to any lengths for her children. With Anne however, their relationship was quite complicated affecting Edith more than Anne.