Grabbing on to that Second Chance

Sometimes life gives you a second chance, even in ballet, and it’s always what you do with those moments that counts. So when my second chance to dance a huge role came around I really wanted it to mean something

Second chances. Moments we wish we could redo. Turn the clocks back and try again. Another opportunity to improve on experiences or approach them at a different age to see how we would handle it now. Who doesn’t want a second chance at moments in their life? And as a dancer I can tell you, it is often a wish of mine to have the chance to perform a role once more for these exact reasons.

Little did I know it wasn’t quite the end of that chapter

In my previous post, ‘Never Say Never’, I wrote about my fortunate moments of getting second chances and what I gained from them, but I think having Christopher Wheeldon’s ‘Swanlake’ come back into my life this season is possibly the biggest chance for me to see what has changed after six years of professional performing.

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Performing as Odette with Zhike Xu as Prince Siegfried (Photo: Jochen Klenk)

Continue reading “Grabbing on to that Second Chance”

Can’t Keep Those Dancing Feet Still

Dancers literally never stop moving, whether at work or not, our feet find rhythm in silence. But apart from never sitting still, we are constantly trying to move in more ways than the obvious one. The best kind of dancers are forever trying to improve themselves and their work – never wanting their performances to stop developing and because of this, ballets themselves are steadily growing and changing each time they are performed.

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In ‘Anne Frank’ rehearsal with Andre Shatalin 📷: Admil Kulyer

Ballerinas are often never satisfied, and even though they may look perfect to their adoring audiences, there is always something they will have wanted to be better, even the best of them. But that is what makes them the best.

❝I am always hoping to do it better than the last time I did it❞

Continue reading “Can’t Keep Those Dancing Feet Still”

A Week at the Ballet

One week. Thirty-three dancers. Five productions. Here we go.

Ballet Week has arrived.

One of the hardest weeks of the season is upon us – Ballet Week, and there is no turning back now so we might as well go for it full force. During this time the company will perform every evening of the week a different ballet from this seasons repertoire, finishing with a ballet gala on the final night.

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Celebrations after a past Gala evening

It is always a tough week for the dancers but often a very rewarding one, especially once we have survived it. We have rehearsals in the mornings preparing for the next show or Gala pieces followed by a break in the afternoon to rest before that evenings show. It is a time we are pushed to our limits both physically and mentally. Throughout the week, we must judge when to push our bodies and when to hold back, in order to be fit enough to last another show. The change of styles and choreographies each day can be difficult, and to set the mind up for a new atmosphere and emotions every morning is challenging, not to mention finding the will to get out of bed after another late, energy filled night. Continue reading “A Week at the Ballet”

“For Never Was a Story of More Woe Than this of Juliet and Her Romeo.”

After last night I just had to share with you all the wonderful experience I had during my premiere of ‘Romeo & Juliet’. I don’t know if I will be able to put it into words how much the evening meant to me or how many emotions I was feeling but I am for sure going to try.

There were moments when Juliano Toscano and I thought our chance to perform as Romeo and Juliet wouldn’t come – our fate was for some reason not written in the stars and as more and more performances were crossed off and our names still not appearing to dance the next one, we felt the opportunity slipping away from us. Then suddenly with just two weeks notice (an insanely short amount of time to prepare for such a big ballet), our director gave us the date and we were moving, full steam ahead.

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During rehearsal time, the Balcony pas de deux

We worked so hard in the studio, with the guiding hands and eyes of our ballet mistress, often having eleven hour days in the theatre, not only preparing for this but learning another new ballet alongside it. However, despite the long hours and other responsibilities, it never really felt like work. We were both so eager to do it, pushing any doubt out of our minds that we couldn’t. We found ourselves supporting each other endlessly, which was a welcomed surprise as we hadn’t danced so much together previously. The chemistry found between us when learning the choreography at the beginning of the season with all the other casts was still there. Along with that, each day the technical aspects improved as well as us both slowly finding ways of developing the characters.

Continue reading ““For Never Was a Story of More Woe Than this of Juliet and Her Romeo.””

Saying Goodbye to a Ballet

Ballets that come and go throughout a dancers career should leave something behind they can cherish

First of all, a Happy New Year to everyone reading and I hope we are all off to a good start in 2018.

As it is a new year I am sure we have all welcomed in new experiences and challenges, as well as said goodbye to and learnt from old ones. This has actually become the topic of this blog post and although sounding like quite a sad one, you know I am forever finding the positive in all my endeavours.

❝Never have I been involved in such a ballet that carried so much meaning and responsibility due to the history and story it told❞

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Happily dancing as the Sylph in La Sylphide (Photo: Pablo Octávio)

Last month Badisches Staatstheatre Karlsruhe sadly said goodbye to two of our ballets for the season 2017/2018. This commonly happens as companies need to make room for new productions each season and in our theatre ballets are often only with us for two-three seasons at a time. An out with the old in with the new kind of thing. Although I wouldn’t like to think of ballets as old, more renewed or revived in the next company who puts them on. Continue reading “Saying Goodbye to a Ballet”

Getting to Share My Knowledge of the Thing I Love Once More

Home for a few days and planning to fill my time in the studio teaching

With my mid-season break approaching fast I am so excited to be planning a few teaching appointments back in England for when I return home for a few days.

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I will be returning to The Dancehouse Theatre in Manchester for some Beginners and Advanced ballet classes and will also be teaching some young ballerinas back at my first ever ballet school Lynn McCheyne – Ballet/Tap/Jazz Department.

I can’t wait for another opportunity to share my ballet knowledge with eager students as teaching is becoming one of my new passions the more I do it.

So if anyone is in Manchester on the 13th Feb come and join us in the studio. For more information contact me or click here: Beginner/Pre-Intermediate & Advanced Ballet Workshops Tue 13th.

I look forward to teaching, learning and sharing the love of dance.

With love,

Harriet

What Do You Think Of When I Say Ballerina?

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Performing The Sylph in La Sylphide (Photo: Pablo Octavio)

Tutus… Tippy toes… Elegance… Beauty… Princess… Skinny… Athlete… Flexibility… Strength…

I am sure all of the above come to mind, and it is true, we ballerinas can be all those things, (I try to convince myself I am a princess every day) but in this post, I want to focus on the ballerina and her flexibility.

Flexibility is a very useful and often needed attribute of a dancer but I would not say it is always the most important. Yes, some days, if not all, I would give my right arm to be more flexible but as I have gotten older and (hopefully) wiser, not only have I decided my right arm is a part of me I would not want to lose, I have also come to realise I can be ok the way I am.

 

Continue reading “What Do You Think Of When I Say Ballerina?”

Goodbye My Friend

I wanted to show my appreciation for this great person by dedicating this post to him and his work. Including a short interview about him, his past and his future. Flavio Salamanka, you will be missed.

Last Sunday we danced our final performance of the season which is always an exciting evening – another year completed, another year survived. However this year, not only was it a great one, it was also a very sad show for Karlsruhe StaatsBallett, as it was the last ever performance of our Kammertänzer Flavio Salamanka, a dancer who has been with the company since the beginning and who I have had the chance to dance many roles with and learn so much from.

Flavio dancing Petrucchio in Taming of the Shrew (Photo: Jochen Klenk)

We have had the pleasure of watching Flavio in numerous classical leads such as Swan Lake and Nutcracker to the more modern lead roles in A Midsummers Night’s Dream and Rusalka. Flavio has done it all. And he has done us proud. He has been such a big part of the company and many members of the public have followed his career over the 14 years he has danced here. Continue reading “Goodbye My Friend”

Making the Comeback After a Setback

My Injury Part 11

As a follow up to my post ‘Sticks & Stones May Break My Bones but Dancing Does Too’, where I wrote about how my stress fracture came about and dealing with returning to work, I wanted to share my ongoing experience with the physical side of the recovery to help anyone else who is struggling coming back from an injury.

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My routine of exercises to strengthen my foot

I have to say it has not been easy, as I am sure no injuries are, and it took much longer than I first expected for me feel like I am dancing as I did before the injury last May. Originally I came back feeling good, thinking I had done everything needed to have a fully healed foot but since then numerous problems and pains have bothered me, with days where my foot still doesn’t feel ‘right’, even after a year.

Continue reading “Making the Comeback After a Setback”

A Leap into the New Year

A fond farewell to 2016 with a lot of anticipation for what will come next for this ballerina

Another year passed and a new one begins. Happy New Year everyone!

I hope you all left 2016 feeling content with what last year brought you and leapt into 2017 excited for all the possibilities you can bring to the new year ahead.

I learnt a lot in 2016. Being filled with moments of happiness and times of sadness, it was definitely a year of change and growth, which is what every year should involve. I did not only grow one year older (ouch) but I believe my heart grew larger for the wonderful people I hold close and my brain grew wiser due to tough situations and learning how to handle them correctly. You only learn through experience.

It was a year full of dance, like most of my years are. I was promoted to principle and danced my first premiere in the leading role, both being things I never thought possible. 2016 also came with my first injury and unfortunately that will be something I will have to bring with me into the new year: bones take a long time to heal. May 2017 be the year of healthy bones.

I will happily be carrying my blog with me into the new age. Being something I was very sceptical of at first but now am so deep into the joy of sharing my little life with anyone interested, I am more than thrilled to introduce A Ballet of Life to 2017. I hope it can grow and expand even more in the year to come.

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Dancing Kate in Taming of the Shrew (Photo: Admill Kuyler)

A new year is full of potential and will no doubt bring each of us new challenges – offering very different yet very exciting things on the horizon. I want to once again dance my way through the year and am very interested to see what that brings me. I aim to allow all the things I learnt in the year just passed to influence what happens to me in the year at present. I step into January 1st with my point shoes at the ready, all wide-eyed and full of anticipation for what ballet will bring me in 2017.

May your year be full of the things you love most and be brightened by some form of beautiful art too.

With love,

Harriet

Header photograph by Jochen Klenk