Back Under Those Lights & In Front of the Camera

After a year in lockdown and a push to stay motivated, enjoying those shining moments in between

Having just passed the year mark of the first Covid lockdown, we sadly find ourselves in not much of a different situation to where we all were this time last year. However, after months of waiting, endless shows being cancelled and not even stepping foot on our stage, a few weeks ago my company and I were finally back where we belonged. What a feeling it was to be under those bright lights once more, doing what we are meant to do after so long.

On stage in my Juliet costume after months of not performing

We were filming our beautiful ‘Romeo & Juliet‘ to be available online for the public over the next month. I was lucky enough to be performing as Juliet once more, almost exactly a year after my debut, just before we all got closed down that first lockdown. And even thought it wasn’t a normal performance, with public or even a full run through, as we had two days to film it, it felt so good to be able to put our art out there once more.

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“For Never Was a Story of More Woe Than this of Juliet and Her Romeo.”

After last night I just had to share with you all the wonderful experience I had during my premiere of ‘Romeo & Juliet’. I don’t know if I will be able to put it into words how much the evening meant to me or how many emotions I was feeling but I am for sure going to try.

There were moments when Juliano Toscano and I thought our chance to perform as Romeo and Juliet wouldn’t come – our fate was for some reason not written in the stars and as more and more performances were crossed off and our names still not appearing to dance the next one, we felt the opportunity slipping away from us. Then suddenly with just two weeks notice (an insanely short amount of time to prepare for such a big ballet), our director gave us the date and we were moving, full steam ahead.

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During rehearsal time, the Balcony pas de deux

We worked so hard in the studio, with the guiding hands and eyes of our ballet mistress, often having eleven hour days in the theatre, not only preparing for this but learning another new ballet alongside it. However, despite the long hours and other responsibilities, it never really felt like work. We were both so eager to do it, pushing any doubt out of our minds that we couldn’t. We found ourselves supporting each other endlessly, which was a welcomed surprise as we hadn’t danced so much together previously. The chemistry found between us when learning the choreography at the beginning of the season with all the other casts was still there. Along with that, each day the technical aspects improved as well as us both slowly finding ways of developing the characters.

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