I have been part of the Landestheater Salzburg for almost two months now and am definitely on my way to feeling settled. The new routine is becoming my norm but still fresh enough to be interesting, and the people that now fill my days are all making life enjoyable and welcoming.
I feel cosy in my cute little apartment, filled with leftover furniture and comforting photos of friends and family. I am adapting to the very different timetable here where we work through rather than having a split working day. We begin at 10am with training followed by morning rehearsals till 14pm, a half-hour lunch break and continue with rehearsals until 5pm. When we start performing it will be a little different, but for now, I am really liking this way of working.
❝This is a big ballet to create so a lot of interesting work is going into this part of the process❞
Before I joined the company I admit I was a little worried about this change as I couldn’t imagine not having the long afternoon break I have grown comfortable too, but now I really appreciate having the evenings to relax and recover for the next day. Our bodies have so much more time to recuperate and it also gives us the feeling of a ‘normal life’; work is done at 5pm, time to enjoy dinner, meeting friends or an evening at home.Continue reading “Finding My Feet in Salzburg”→
If you’ve already read my previous post “Living In a World Such as this is like Dancing on a Live Volcano” you will know why I recently ended up on a quick trip to Japan to perform at a small gala very last minute. This spontaneous trip became part of my very short summer vacation and was another chance to perform some pieces I never thought I would again.
I spent the week rehearsing and performing with old colleagues while managing to combine the days spending some much needed holiday time with my other half, who came along for the week.
❝It is quite amazing what you can make possible when you have no other choice❞
We arrived at our hotel after a very very long journey just in time for a quick dinner and hopefully an early night. But upon arriving I received my costumes and pre-ordered pointe shoes, which I needed to prepare for the next morning’s rehearsal. So while my husband slept soundly (possibly the only good night sleep he got the whole trip due to jetlag) I lay in bed till 12:30 sewing these emergency pointe shoes until I couldn’t keep my eyes open any longer.
The next morning I was sewing the whole way to the rehearsal studio, during the warm-up class and literally moments before I had to put them on and dance in them. I quickly broke them in, gave them a quick hammering and they were on my feet for the rehearsal. Never before have I managed to dance in such new shoes, not to mention without elastics and on a very slippy, hard floor. But it surprised me how manageable it was. It is quite amazing what you can make possible when you have no other choice.
My working hours were not too long so my husband and I were able to seize each day and explore the great city of Tokyo. We spent our time wandering the fascinating streets of busy Shibuya and Shimbashi, enjoying the view from Tokyo Bay, tasting the intriguing food and even joining the locals at one of their beloved baseball matches. This was definitely one of our highlights, along with the Teamlab Borderless museum where we became children again, mesmerised by the three-dimensional world created there. This is a definite must-see when in Tokyo, guys.
Not forgetting that I was actually here to perform, and once we were in the theatre we had full days of dress rehearsals in the afternoon and shows early evening. We had quite a hard time adjusting to the very hard stage and I was feeling especially anxious for the performance after our first run-through. But we all grit our teeth, wanting to enjoy performing here as much as possible, and we did.
❝Being positive is what it should all be about❞
For myself, the second evening performance when I danced the Romeo & Juliet balcony pas de deux and all together we finished the evening off with Rachmaninov, was particularly memorable. The dancers and audience were lovely and after the final evening, there were many pictures with excited students and family members of the dancers. I felt very honoured to be there.
Even though I had my doubts about going at first, I am so lucky to have had this opportunity. I helped a lot of people by going, I performed for a new grateful audience, I had a wonderful time with my husband and friends, and I once again danced pieces that mean a lot to me. It was all so positive in the end and being positive is what it should all be about.
Thank you to everyone who made this possible and so memorable. It really made my summer.
As the end of our ballet season in Karlsruhe is approaching fast, the time for big changes is also on the horizon, and with this post, I want to share with you the next step I am planning to take in my career and personal life.
This season will actually be my last with the Staatsballett Karlsruhe and I will be eagerly joining the Salzburg Landestheater Ballet Ensemble at the beginning of August. A company I have had my eye on for a while and a place I hope will bring many different and exciting opportunities my way.
❝Karlsruhe Ballet has been my home for nine seasons, giving me more than I ever thought I would have❞
We all need a little inspiration in life and we all find it in different places. It can come from the simplest of things, like a sunny morning helping you get out of bed or a good song brightening your mood. Inspiration can be found almost anywhere and I think one of the strongest inspirations we have out there can be each other. Humans inspiring humans.
I wanted to touch on this topic because recently I have received a few messages and responses to my dancing and what I am writing about on here that have been so encouraging for me. Messages from people who I haven’t even met, and yet they kindly took the time to let me know that from watching me dance or reading my blog they have thoroughly enjoyed it and been inspired by it.Continue reading “Inspiration All Around Us”→
Sometimes life gives you a second chance, even in ballet, and it’s always what you do with those moments that counts. So when my second chance to dance a huge role came around I really wanted it to mean something
Second chances. Moments we wish we could redo. Turn the clocks back and try again. Another opportunity to improve on experiences or approach them at a different age to see how we would handle it now. Who doesn’t want a second chance at moments in their life? And as a dancer I can tell you, it is often a wish of mine to have the chance to perform a role once more for these exact reasons.
❝Little did I know it wasn’t quite the end of that chapter❞
In my previous post, ‘Never Say Never’, I wrote about my fortunate moments of getting second chances and what I gained from them, but I think having Christopher Wheeldon’s ‘Swanlake’ come back into my life this season is possibly the biggest chance for me to see what has changed after six years of professional performing.
I have often been proved wrong when thinking I was dancing something for the last time. Just when you think the curtain has gone down on a particular role or piece it ends up finding its way back to you. And more often than not, it’s the ones you were glad to say goodbye to.
❝It seemed like an impossible thing for me to ever dance & I never imagined I would have the opportunity to give it a go❞
Recently this seems to be happening a lot to me and it is proving to not be such a bad thing after all. For this post, I want to share two particular pieces that have found their way back to me and dedicate another to the recent return of our Swanlake and my upcoming shows of Odette/Odile, which I think definitely needs its own mention.
So for now, I take you back to the end of last season when we performed Kenneth McMillan’s ‘Concerto’ in our yearly gala here in Karlsruhe. ‘Concerto’ is a one-act ballet in three movements choreographed in 1966 for the Berliner Ballett and was staged for the Royal Ballet Touring Company in 1967. Our company had to learn it in just two weeks with Julie Lincolnteaching and staging the piece. This ballet was not completely new to me as I performed ‘Concerto’ while at The Royal Ballet School for my graduating performance in 2010. I was part of the third movement assemble, and now, 8 years later, I was cast for the third movement Solo Girl.
I was delighted, albeit a little nervous to be chosen to dance this role as I remember admiring the girl who performed it at school. At that time it seemed like an impossible thing for me to ever dance and I never imagined I would have the opportunity to give it a go. At that age and time in my life, dancing such a solo was the scariest thing I could imagine.Continue reading “Never Say Never”→
When Sarah Nagel, a journalist and friend, asked if I would like to be interviewed by her for the Sunday newspaper here in Karlsruhe I jumped at the opportunity. It was a pleasure to wake up this morning with my face on the front page and a beautifully written article to read while sewing pointe shoes on my day off. I have to admit reading about yourself over morning coffee is a joy, but another part of doing interviews I really appreciate is getting the chance to remind myself of where I have been and where I am now.
‘Pain as a Constant Companion’ is the translated title of Sarah’s article in ‘Der Sonntag” as Sarah wanted to know the personal difficulties I have faced as a student and professional dancer and we talked about the hardship of physical and mental pain ballerinas face.
❝Things that affected me so much at a younger age seem so small now❞
The theatre becomes a dancer’s second home, a place where we spend at least 50% or more of our daily waking hours. We work there, we eat there, we shower, dress and sleep there. Our friends are usually with us and its the place we do what we love most, dance.
It’s because of all these reasons that it becomes a very important building for us, and one of the most important rooms in this building is our dressing rooms.
❝This is where the beauty of ballet meets the ugly on a daily bases❞
When I was younger and performed once or twice a year in a theatre the dressing rooms were already one of the best parts and when I was part of a dance school, I remember it being so exciting to get our dressing rooms, all the girls together just like the professionals – we were just so grown up. And I was probably deep down even more excited when I first joined a professional company and found my own permanent spot in the dressing room. I had made it. Continue reading “The Dressing Room of a Ballerina”→
Each season ballet companies have the exciting chance to work towards and bring to life premieres. Whether that’s a world premiere of a new creation or the first time that particular company performs a ballet, they are always a huge highlight of the year.
❝The goal that has been the main focus within the whole ballet company is reached❞
The process involves resident or guest choreographers/teachers coming to the theatre and working with the dancers – creating or teaching the steps and staging the whole production. Weeks if not months are spent putting the piece together and it will be the main focus of the company the majority of that time. Other performances are often performed during the preparation time but there will be much happening behind the scenes for the premiere. Continue reading “Goals of the Dancer”→