Goals of the Dancer

Setting your own personal goals to get you from one company goal to the next

Each season ballet companies have the exciting chance to work towards and bring to life premieres. Whether that’s a world premiere of a new creation or the first time that particular company performs a ballet, they are always a huge highlight of the year.

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❝The goal that has been the main focus within the whole ballet company is reached❞

The process involves resident or guest choreographers/teachers coming to the theatre and working with the dancers – creating or teaching the steps and staging the whole production. Weeks if not months are spent putting the piece together and it will be the main focus of the company the majority of that time. Other performances are often performed during the preparation time but there will be much happening behind the scenes for the premiere.

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Working towards our La Sylphide premiere in 2016 with the choreographer Peter Schaufuss

The hype leading up to opening night is very exciting. After weeks of studio time, we finally start having stage run-throughs and orchestra rehearsals, then costumes are added, with lights and sets filling the stage, bringing everything together. The dancers get comfortable with the new space and atmosphere during a week of dress rehearsals and corrections. The days quickly tick by and we find ourselves on opening night.

The moment is here. The curtain goes up.

And then… it’s all over. Everything you have worked for is behind you. The goal that has been the main focus within the whole ballet company is reached. The focus must now shift and it is always a strange time. To come back to the barre after a premiere is often a little difficult. So you have to find the next goal to work towards.

Which can be much easier said than done. The excitement that has gotten you into work for the past few weeks is now gone. The quiet ‘after’ the storm. And although I think a little ‘calm’ is good, if not needed, especially if the body has been under a lot of stress, it can become mundane and I think this feeling should not last too long.

I have noticed throughout my years of working, it always helped me to have something to aim towards. Whether that is at work or not, having goals help me get out of bed in the morning and focus my mind to keep pushing to improve.

❝I have passions outside of dance and finding achievement in those areas of my life still gives me a boost❞

In the studio, this can be working towards a new role, but we can’t always count on being given this option, so I like to set personal goals in the studio or within roles I am already dancing. Working on steps you know can be improved in class or focusing on an upcoming performance and finding new ways to develop there. Nothing is lost and then you can take that improvement into the next goal you set.

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Teaching has become a new passion of mine (Working at KNT Danceworks in Manchester)

However, recently I am enjoying finding goals outside of dance (but possibly still connected). Putting my energy into other things has given me energy for work too. Learning I have passions outside of dance and finding achievement in those areas of my life still gives me a boost.

Keep it interesting. It is never good to be too focused on one thing. Dancers can tend to get wrapped up in our world but breaking out of it can help it grow and develop something that can always be improved. Keep reaching for new goals, it always feels so good when they are reached and will keep the post-premiere lul at bay.

With love,

Harriet

 

Main picture: Jochen Klenk

 

Can’t Keep Those Dancing Feet Still

Dancers literally never stop moving, whether at work or not, our feet find rhythm in silence. But apart from never sitting still, we are constantly trying to move in more ways than the obvious one. The best kind of dancers are forever trying to improve themselves and their work – never wanting their performances to stop developing and because of this, ballets themselves are steadily growing and changing each time they are performed.

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In ‘Anne Frank’ rehearsal with Andre Shatalin 📷: Admil Kulyer

Ballerinas are often never satisfied, and even though they may look perfect to their adoring audiences, there is always something they will have wanted to be better, even the best of them. But that is what makes them the best.

❝I am always hoping to do it better than the last time I did it❞

Continue reading “Can’t Keep Those Dancing Feet Still”

Finding the Perfect Frame for the Picture

Taking a look at dance partnerships & the work that goes into them to make them great

One of my favourite aspects of dance has always been pas de deux. From a classical grand pas de deux to modern creations, I just so fond of sharing the work, technicality and especially the emotions of a dance partnership. I have been lucky enough to have had some fantastic partners over the years and I have loved working with these young men and performing together.

❝What does actually make a good partnership in dance? What can make it or break it?❞

As a student, during my time at The Hammond School, we studied simple pas de deux and I took a liking to it straight away, but it was not until I joined The Royal Ballet Upper School, where we had pas de deux class two-three times a week, that I really started to enjoy it. It began a little shakily but after a few weeks I was randomly partnered with a classmate called Ashley Whittle and not only did we immediately click and work well together, but we had so much fun. This must have come across to our teachers as for almost two and a half years we were always dancing together. Pas de deux became my favourite class of the week and it was the first time I felt 100% trust and confidence in my partner, and I think he felt the same.

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Back in school with fellow classmate & pas de deux partner Ashley Whittle (so sorry about the knee in your face Ash)

Continue reading “Finding the Perfect Frame for the Picture”

Getting to Share My Knowledge of the Thing I Love Once More

Home for a few days and planning to fill my time in the studio teaching

With my mid-season break approaching fast I am so excited to be planning a few teaching appointments back in England for when I return home for a few days.

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I will be returning to The Dancehouse Theatre in Manchester for some Beginners and Advanced ballet classes and will also be teaching some young ballerinas back at my first ever ballet school Lynn McCheyne – Ballet/Tap/Jazz Department.

I can’t wait for another opportunity to share my ballet knowledge with eager students as teaching is becoming one of my new passions the more I do it.

So if anyone is in Manchester on the 13th Feb come and join us in the studio. For more information contact me or click here: Beginner/Pre-Intermediate & Advanced Ballet Workshops Tue 13th.

I look forward to teaching, learning and sharing the love of dance.

With love,

Harriet

Teaching at The Moorland Ballet Academy

My summer holiday is never complete without some dancing, and over the past two days, I have had the pleasure of spreading and sharing the dancing joy with the students of Moorland Ballet Academy Summer School.MoorlandBallet-Thumbnail-1

Moorland is a privet school in Lancashire with an Elite Football Program and a Classical Ballet Academy. The ballet academy was founded by two wonderful past teachers of mine Lynsey and Simon Kidd, who both taught and guided me during my student years. Knowing personally what good teachers they are, I was honored to hear from them and be invited to join them during the summer course.

Even though I only spent two days at the school, I truly enjoyed teaching the summer students – a mixture of full-time students at the school and young dancers from outside, some coming from as far as Japan, and already saw improvement in that short space of time. I had the pleasure of teaching a great bunch of 11-13 year olds and an older group of 14-18 year olds. Both classes worked so hard for me so thank you for that girls and boys.

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Together with my younger group of students

Continue reading “Teaching at The Moorland Ballet Academy”

What Do You Think Of When I Say Ballerina?

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Performing The Sylph in La Sylphide (Photo: Pablo Octavio)

Tutus… Tippy toes… Elegance… Beauty… Princess… Skinny… Athlete… Flexibility… Strength…

I am sure all of the above come to mind, and it is true, we ballerinas can be all those things, (I try to convince myself I am a princess every day) but in this post, I want to focus on the ballerina and her flexibility.

Flexibility is a very useful and often needed attribute of a dancer but I would not say it is always the most important. Yes, some days, if not all, I would give my right arm to be more flexible but as I have gotten older and (hopefully) wiser, not only have I decided my right arm is a part of me I would not want to lose, I have also come to realise I can be ok the way I am.

 

Continue reading “What Do You Think Of When I Say Ballerina?”

‘Tis the Season to be Dancing

Six years of dancing The Nutcracker and still learning

How is it already the second week of December? My advent calendar is slowly emptying, snow has already fallen, Christmas markets are buzzing like always, and as the days tick towards the 25th (24th here in Germany), the music of the much-loved ballet ‘The Nutcracker’ is filling theatres all over the world and Karlsruhe is no exception. Tis’ the season to be jolly and what better way to get in the festive mood than dressing up as a snowflake and jumping out of giant presents.

We have been dancing Youri Vámos’s ‘The Nutcracker – A Christmas Story’ since the first year I joined the company. The storyline combines the original Nutcracker with Charles Dickens’s ‘A Christmas Carol’. It was actually the first premier I experienced back in 2010. I had just graduated from the Royal Ballet School, and after performing my last Grand Defile with the school and a night celebrating with fellow classmates for the last time, I flew to Karlsruhe to spend a week with the company while they started learning the ballet.

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The Royal Ballet Grand Defile in 2010, the day my classmates & I graduated from the Upper School (I am in red, 5th from the front)

Continue reading “‘Tis the Season to be Dancing”

How a Fairy Gets Her Wings: An Unexpected Chance to Fly

Working with the ballet legend Peter Schaufuss to recreate his La Sylphide.

With the premiere of Peter Schaufuss‘s La Sylphide at the end of the week, things are really coming together and getting exciting. We had a few dress rehearsals last week and I had the unexpected chance to dance the Sylphide.

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A beautiful painting like picture taken during a dress rehearsal (Photo: Flavio Salamanka)

Originally being the third cast for the main role and just coming back from injury, I was not expecting to be dancing it for a while. But things changed when Peter asked how I felt about giving it a go in the next day’s run through. I was feeling good and knew the role pretty well so why not. With this ballet, there is surprisingly no pas de deux choreography so it is very easy to mix up the casts. Peter told us he wanted to change the dancers around so we all had the chance to dance and he also had the chance to see us in each role.

After the run, they were happy enough to give me another chance to rehearse it again the next day on stage. This rehearsal also went well and it was beautiful to dance with the live orchestra, which always brings another depth to the piece. I was then surprised last Monday morning when Peter set the cast for the first dress rehearsal and I would dance the Sylph. Continue reading “How a Fairy Gets Her Wings: An Unexpected Chance to Fly”

Today is a Good Dancing Day

Thought I would let you guys know I managed to advance further in training this morning so feeling good about that. So good in fact, I treated myself to a new leotard. Feeling positive and pretty in pink.

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May this feeling continue and fingers crossed it is onwards and upwards from here. Have a good weekend.

With love,

Harriet