Grabbing on to that Second Chance

Sometimes life gives you a second chance, even in ballet, and it’s always what you do with those moments that counts. So when my second chance to dance a huge role came around I really wanted it to mean something

Second chances. Moments we wish we could redo. Turn the clocks back and try again. Another opportunity to improve on experiences or approach them at a different age to see how we would handle it now. Who doesn’t want a second chance at moments in their life? And as a dancer I can tell you, it is often a wish of mine to have the chance to perform a role once more for these exact reasons.

Little did I know it wasn’t quite the end of that chapter

In my previous post, ‘Never Say Never’, I wrote about my fortunate moments of getting second chances and what I gained from them, but I think having Christopher Wheeldon’s ‘Swanlake’ come back into my life this season is possibly the biggest chance for me to see what has changed after six years of professional performing.

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Performing as Odette with Zhike Xu as Prince Siegfried (Photo: Jochen Klenk)

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Pain as a Constant Companion

Reflecting on my interview with Sarah Nagel about my career and life as a ballet dancer

When Sarah Nagel, a journalist and friend, asked if I would like to be interviewed by her for the Sunday newspaper here in Karlsruhe I jumped at the opportunity. It was a pleasure to wake up this morning with my face on the front page and a beautifully written article to read while sewing pointe shoes on my day off. I have to admit reading about yourself over morning coffee is a joy, but another part of doing interviews I really appreciate is getting the chance to remind myself of where I have been and where I am now.

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‘Pain as a Constant Companion’ is the translated title of Sarah’s article in ‘Der Sonntag” as Sarah wanted to know the personal difficulties I have faced as a student and professional dancer and we talked about the hardship of physical and mental pain ballerinas face.

Things that affected me so much at a younger age seem so small now

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Saying Goodbye to a Ballet

Ballets that come and go throughout a dancers career should leave something behind they can cherish

First of all, a Happy New Year to everyone reading and I hope we are all off to a good start in 2018.

As it is a new year I am sure we have all welcomed in new experiences and challenges, as well as said goodbye to and learnt from old ones. This has actually become the topic of this blog post and although sounding like quite a sad one, you know I am forever finding the positive in all my endeavours.

❝Never have I been involved in such a ballet that carried so much meaning and responsibility due to the history and story it told❞

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Happily dancing as the Sylph in La Sylphide (Photo: Pablo Octávio)

Last month Badisches Staatstheatre Karlsruhe sadly said goodbye to two of our ballets for the season 2017/2018. This commonly happens as companies need to make room for new productions each season and in our theatre ballets are often only with us for two-three seasons at a time. An out with the old in with the new kind of thing. Although I wouldn’t like to think of ballets as old, more renewed or revived in the next company who puts them on. Continue reading “Saying Goodbye to a Ballet”

Dancing with Your Heart on Your Sleeve

Keeping dancers’ emotions in check and learning to handle feelings in and outside the studio to improve as a dancer, artist and person

I often hear artists being portrayed as very emotional people but I ask myself if we are actually more exaggerated and eccentric when it comes to feelings than the average person? Yes, we care a lot about what we do for a living and we are asked daily to bring all sorts of emotions to the surface, but I wouldn’t say we are more sensitive than non-dancers, it just depends on the person and their own personality. I think we are all emotional when we want to be.

❝I can also bring my own feelings and experiences onto the stage with me to help develop a character❞

Dance is a way of expressing emotion so I think it’s quite normal if once in a while we subconsciously, or maybe even consciously, take those feelings out of the studio and into our daily lives, and vice versa. As for me, I love to get emotional and really into a role. The stage is a place where I am put into many different situations I wouldn’t encounter in my normal life and I can also bring my own experiences onto the stage with me to help develop a character.

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Performing as Anne Frank in the most emotional scene I have ever been a part of in Reginaldo Oliveira’s ‘Anne Frank’ with Pablo Octávio as Kitty (Photo: Jochen Klenk)

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