Pain as a Constant Companion

Reflecting on my interview with Sarah Nagel about my career and life as a ballet dancer

When Sarah Nagel, a journalist and friend, asked if I would like to be interviewed by her for the Sunday newspaper here in Karlsruhe I jumped at the opportunity. It was a pleasure to wake up this morning with my face on the front page and a beautifully written article to read while sewing pointe shoes on my day off. I have to admit reading about yourself over morning coffee is a joy, but another part of doing interviews I really appreciate is getting the chance to remind myself of where I have been and where I am now.

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‘Pain as a Constant Companion’ is the translated title of Sarah’s article in ‘Der Sonntag” as Sarah wanted to know the personal difficulties I have faced as a student and professional dancer and we talked about the hardship of physical and mental pain ballerinas face.

โThings that affected me so much at a younger age seem so small nowโž

Continue reading “Pain as a Constant Companion”

WORLD BALLET DAY 2018

๐ŸŒธ๐ŸŒธHAPPY WORLD BALLET DAY๐ŸŒธ๐ŸŒธ
I hope everyone enjoys dancing around in their tutus and tiaras or even socks and sweats – joining together to celebrate one of the most beautiful and special art forms there is.
Stay tuned all day with companies around the world streaming life from the studio and stage:
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Performing as the Sylph in Peter Schaufuss’s La Sylphide

With love,

Harriet

The Dressing Room of a Ballerina

Oh to be a fly on a ballerina’s dressing room wall. A space just for us amongst our tutus and friend

The theatre becomes a dancer’s second home, a place where we spend at least 50% or more of our daily waking hours.ย We work there, we eat there, we shower, dress and sleep there. Our friends are usually with us and its the place we do what we love most, dance.

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My first year at the Hammond School with my fellow dancers at our end of year production – Ruth Bailey, Risa Nakagawa, Anna Haresnape, Katrina Budzynski

It’s because of all these reasons that it becomes a very important building for us, and one of the most important rooms in this building is our dressing rooms.

โThis is where the beauty of ballet meets the ugly on a daily basesโž

When I was younger and performed once or twice a year in a theatre the dressing rooms were already one of the best parts and when I was part of a dance school, I remember it being so exciting to get our dressing rooms, all the girls together just like the professionals – we were just so grown up. And I was probably deep down even more excited when I first joined a professional company and found my own permanent spot in the dressing room. I had made it. Continue reading “The Dressing Room of a Ballerina”

Goals of the Dancer

Setting your own personal goals to get you from one company goal to the next

Each season ballet companies have the exciting chance to work towards and bring to life premieres. Whether that’s a world premiere of a new creation or the first time that particular company performs a ballet, they are always a huge highlight of the year.

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โThe goal that has been the main focus within the whole ballet company is reachedโž

The process involves resident or guest choreographers/teachers coming to the theatre and working with the dancers – creating or teaching the steps and staging the whole production. Weeks if not months are spent putting the piece together and it will be the main focus of the company the majority of that time. Other performances are often performed during the preparation time but there will be much happening behind the scenes for the premiere. Continue reading “Goals of the Dancer”

Can’t Keep Those Dancing Feet Still

Dancers literally never stop moving, whether at work or not, our feet find rhythm in silence. But apart from never sitting still, we are constantly trying to move in more ways than the obvious one. The best kind of dancers are forever trying to improve themselves and their work – never wanting their performances to stop developing and because of this, ballets themselves are steadily growing and changing each time they are performed.

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In ‘Anne Frank’ rehearsal with Andre Shatalinย ๐Ÿ“ท: Admil Kulyer

Ballerinasย are often never satisfied, and even though they may look perfect to their adoring audiences, there is always something they will have wanted to be better, even the best of them. But that is what makes them the best.

โI am always hoping to do it better than the last time I did itโž

Continue reading “Can’t Keep Those Dancing Feet Still”