Everything is Possible if You’ve Got Enough Nerve

Remembering back to my first solo as a professional dancer and how much I have grown since then

As the applause subsides and silence falls throughout the auditorium, there’s chance for one last breath in the wings. Then the smile is adjusted and the walk to centre stage begins. The moments before performing a solo can be very nerve-wracking ones. Time is up. It is only you and the music, and all eyes are on you. You can’t practice that pirouette one last time, you can’t work on your stamina anymore. All that work is done. It’s go time.

When I remember back to the very first solo I performed in my first year as a professional dancer all I recall are the nerves. I was part of the Pas de Trois in Christopher Wheeldon’s Swan Lake and my little solo was the biggest thing I had done so far in my career. It was my first chance to dance alone on stage, and it was scary.

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Dancing alongside Elisiane Büchele & Xhile Xu (Photo: Jochen Klenk)

During my younger education, I danced plenty of ballet, tap and jazz solos as a schoolgirl as part of our school productions, but back then it was no big deal. Being young and innocent made it all amazing good fun. ‘Bring it on’. But when I joined The Royal Ballet School things changed a lot and nerves grew inside me. There, I was never the ‘chosen one’ and with my confidence hitting rock bottom at times, even stepping on stage was terrifying. Being part of a group was just enough for me to handle. I had little stage experience and wanted to avoid any spotlight as much as I could.

But starting in a company was my chance to start anew. Here it’s all about the performances – so performing becomes the norm and it didn’t take me long to get comfortable amongst my colleges and used to the bright lights of the stage.

So when the time came and my name went up on the board to dance the Pas de Trois I was, of course, thrilled to have been chosen and felt ready for the challenge. But the nerves came quickly. We rehearsed a lot and I had plenty of time to work on the steps and stamina, so by the time my premiere arrived I was ready. This, however, did not seem to keep my worries at bay.

On the day of the show I was so nervous and even before and during the performance, I was far too tense. Sadly, I can’t say I enjoyed it. Due to my first time jitters, I was far too constrained to relax and enjoy. But I did survive and was proud of myself when it was over. The Pas de Trois improved each time we performed and I grew calm enough to actually enjoy dancing it.

Since then I have danced much harder and scarier roles, but this first little solo will forever stay in my mind as a nerve-wracking one, simply because it was such a big moment for me as a young performer. I guess if I had the chance to dance it again now it would be so different – I would enjoy it much more and be relaxed enough to dance it so much better.

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Performing as the Sylph in La Sylphide (Photo: Pablo Octavio)

But at that moment in my career, I did my best and I can see now looking back how much I have grown since then. If that solo hadn’t happened many others wouldn’t have either. Thank goodness I was chosen and thank goodness I survived those awful nerves. I have said this many times before and I will say it once more – I am forever trying to push those pesky nerves down and let the love and enjoyment of my job overwhelm them, but it is still a work in progress.

With love,

Harriet

My Unforgettable Debut as Giselle

Finally I am sharing my wonderful time returning to The Hammond School to be a part of their 100 year anniversary production of Giselle

You may all know from my post ‘A Chance to Return to The Hammond School’, that during May I spent a week in England at my childhood dance school, The Hammond, as I had been invited to take part in the school’s 100-year anniversary production of Sir Peter Wright’s ‘Giselle’. My years as a student there were so wonderful I couldn’t wait to return to where it all began. And of course, it was even more memorable than I could have imagined.

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First day back at school with Flavio (in my original Hammond uniform)

Arriving to the school, I had butterflies in my stomach. It was so strange to be back. How the school has changed in ten years I have been away, with its own in-house theatre and brand new studios replacing the portacabins I danced in. However, once my dance colleague, Flavio Salamanka and I found our way into the theatre and spotted my old ballet teacher, Miss Jane Elliott, working with her pupils, the familiar, friendly atmosphere I remembered was still ‘in the air’. Being introducted to her pupils as ‘my Harriet’, Jane had me feeling like I never left.

After a warm welcome, we got straight to work with the students; throughout the week I really enjoyed dancing with everyone, and getting to know them individually.  Flavio & I were able to help some students with their solos and roles, and I offered the same advice to the Corps de Ballet that I had been given, years before. I think they really appreciated us helping and seemed eager to hear any tips we could share.

II Act rehearsal of Giselle

Not only did I get to meet the students of the school, but a great part of my week included reuniting with past teachers and matrons, whom I had not seen since leaving.  None of them had changed, and their reaction to my return was so welcoming – who knew teachers could be so nice. Continue reading “My Unforgettable Debut as Giselle”

Goodbye My Friend

I wanted to show my appreciation for this great person by dedicating this post to him and his work. Including a short interview about him, his past and his future. Flavio Salamanka, you will be missed.

Last Sunday we danced our final performance of the season which is always an exciting evening – another year completed, another year survived. However this year, not only was it a great one, it was also a very sad show for Karlsruhe StaatsBallett, as it was the last ever performance of our Kammertänzer Flavio Salamanka, a dancer who has been with the company since the beginning and who I have had the chance to dance many roles with and learn so much from.

Flavio dancing Petrucchio in Taming of the Shrew (Photo: Jochen Klenk)

We have had the pleasure of watching Flavio in numerous classical leads such as Swan Lake and Nutcracker to the more modern lead roles in A Midsummers Night’s Dream and Rusalka. Flavio has done it all. And he has done us proud. He has been such a big part of the company and many members of the public have followed his career over the 14 years he has danced here. Continue reading “Goodbye My Friend”

A Chance to Return to The Hammond School

Heading back to England to take part in my first dance school’s 100 Year Anniversary performances

Over the last few weeks my days have been filled with preparations for something I am very honoured to be working towards and can’t believe it has arrived so quickly.

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Back in 2007 during my last year at The Hammond School

It was back in February when I got an email from an unforgettable teacher I had while training at The Hammond School, the wonderful Mrs Elliott. This delight of a women being someone who took me through my final years at the school,before transferring to the Royal Ballet Schooland gave me so much joy in the studio as a student asked if I would return to the school for their 100 Year Anniversary performances to dance the lead role in Peter Wright’s ‘Giselle’.

Being a role I have not yet had the opportunity to dance I was very excited to confirm with my directer, Birgit Keil that it would be possible for me to travel to England in May and take part in the production. It was a little concerning that I would have to learn the whole ballet on top of the usual work schedule, as it would be something I would do in my free time, but seeing as I was informed early enough I was sure I would manage the work load.

Giselle rehearsal

Continue reading “A Chance to Return to The Hammond School”

Who Knows, This Week May Just Be Your Greatest One Yet

A rollercoaster of a week that ended up fulfilling so many of my dancing dreams

Have you ever had one of those weeks where you think nothing exciting could possibly happen and then you’re catapulted into a string of days filled with mayhem and excitement? Well, a few weeks ago I found myself in a very unexpected situation which turned out to be one of my most treasured experiences as a professional dancer. Honestly, you never know what each week will bring.

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In rehearsal for my first time dancing Anne Frank

Two weeks before our mid-season break my timetable was quite easy with not too many rehearsals. We had a performance of ‘Anne Frank’ on Sunday so I was preparing for my usual role as Anne’s Mother. However, the girl who was cast for Anne was off sick and as the days ticked by the question was being asked what will happen if she can’t dance.

It was never planned to change the casts in this ballet and therefore the second casts are not prepared. This is obviously quite a risky decision in case situations like this come about – a principal dancer unable to dance, with no one to jump in if required. Unfortunately, the show could not go on and this would be a disappointment not only for the ballet company but especially for the Theatre, and the audience due to attend.

So as Friday came with rehearsals planned, all of us, including the choreographer Reginaldo Oliviera, a dancer in the company, were still uncertain if we would perform. Trying to find a ‘plan B’ Reginaldo quietly approached me and asked if I would be able to learn the role of Anne for Sunday. Without hesitation, I said yes. Of course I said yes. How amazing would it be to dance such an enjoyable yet meaningful role? The yes came from my heart before my head had time to register the insanely short time scale I would have to learn a whole ballet, having not been previously cast for the role at all. That realisation didn’t come till later. Continue reading “Who Knows, This Week May Just Be Your Greatest One Yet”

The Shining Light of the Stage

The spot lights are bright. Be brighter

As a performer, my main goal in life is to shine. Well, that’s what I’m supposed to do. It is what we are all told or tell ourselves whenever we are about to enter the spotlights of the stage. Isn’t it? Be the brightest star.

But actually, it’s not always that easy.

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Doubting thoughts like to creep up on me causing me to question what I am about to do, question what I have worked on for weeks. And even though I should know I am ready for my shining moment I don’t always feel ready. I question if I have rehearsed enough- did I spend enough time in the studio? Nerves build inside me throughout the day of the performance and I am sure I am not alone in experiencing pre-show anxieties. It is these feelings that can dull our light on stage and prevent that bubbly feeling of dancing. Continue reading “The Shining Light of the Stage”

A Very Merry Christmas

🎄I would like to wish you all a very Merry Christmas filled with love and happiness.🎄

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Enjoy your festive season hopefully surrounded by loved ones. I will be dancing this evening along with my fellow colleagues spreading the dancing joy of The Nutcracker.

Have a wonderful day where ever you are and remember to be grateful for the most wonderful time of the year.

🎄🎄🎄🎄🎄🎄

With love,

Harriet

“Dance Has to be Done by You and For You” – My First Interview

An interview with Alexandra Krohn

A few weeks ago I was asked by Alex if I would like to take part in her interview series about young creatives and their way of life for her blog page ‘Alex In Allem’, and of course, very flattered I said yes.

It was a great experience to work with her interesting questions and in the end, I found answering them showed me how much I have learnt through my life and helped me see my life as it is now. It was a really good exercise for me to express my past experiences and question my future ones. I hope you enjoy reading it as much as I did writing it.

Find below the link to the interview – originally in English but translated into German for her page (a treat for all my German friends):

Mind Over Matter: Harriet

Ein Interviewreihe über junge Kreative und ihre Art zu Leben.

Alexandra Krohn

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❝Tanzen kann verdammt hart sein. Du musst es wirklich wollen und mit einem fröhlichen Geist bei der Sache sein. Dann kannst du es schaffen.❞


And for the benefit of everyone else, here is the interview in English:

Mind Over Matter: Harriet

An interview series about young creatives and their way of life Alexandra Krohn

Alexandra Krohn

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❝I get so much out of working hard and improving, but I thrive off encouragement.❞

Alex: Hello Harriet. Will you give us a sneak peek into your most unconventional training method? Continue reading ““Dance Has to be Done by You and For You” – My First Interview”

‘Tis the Season to be Dancing

Six years of dancing The Nutcracker and still learning

How is it already the second week of December? My advent calendar is slowly emptying, snow has already fallen, Christmas markets are buzzing like always, and as the days tick towards the 25th (24th here in Germany), the music of the much-loved ballet ‘The Nutcracker’ is filling theatres all over the world and Karlsruhe is no exception. Tis’ the season to be jolly and what better way to get in the festive mood than dressing up as a snowflake and jumping out of giant presents.

We have been dancing Youri Vámos’s ‘The Nutcracker – A Christmas Story’ since the first year I joined the company. The storyline combines the original Nutcracker with Charles Dickens’s ‘A Christmas Carol’. It was actually the first premier I experienced back in 2010. I had just graduated from the Royal Ballet School, and after performing my last Grand Defile with the school and a night celebrating with fellow classmates for the last time, I flew to Karlsruhe to spend a week with the company while they started learning the ballet.

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The Royal Ballet Grand Defile in 2010, the day my classmates & I graduated from the Upper School (I am in red, 5th from the front)

Continue reading “‘Tis the Season to be Dancing”