A Week at the Ballet

One week. Thirty-three dancers. Five productions. Here we go.

Ballet Week has arrived.

One of the hardest weeks of the season is upon us – Ballet Week, and there is no turning back now so we might as well go for it full force. During this time the company will perform every evening of the week a different ballet from this seasons repertoire, finishing with a ballet gala on the final night.

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Celebrations after a past Gala evening

It is always a tough week for the dancers but often a very rewarding one, especially once we have survived it. We have rehearsals in the mornings preparing for the next show or Gala pieces followed by a break in the afternoon to rest before that evenings show. It is a time we are pushed to our limits both physically and mentally. Throughout the week, we must judge when to push our bodies and when to hold back, in order to be fit enough to last another show. The change of styles and choreographies each day can be difficult, and to set the mind up for a new atmosphere and emotions every morning is challenging, not to mention finding the will to get out of bed after another late, energy filled night.

It may not sound so difficult – we are performers, it’s what we do, but in my company, it is a big change of pace for us. During a normal week, we may only perform once or twice, having rehearsal days in between. Yes, it is often a different show each time we are on stage, with some weeks having three different productions in it, but to have a new show every night within quite a small dance company is asking a lot.

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In the studio

This season seems to be a particularly hard one. We have been so busy beforehand, preparing new creations for the gala and having had two premieres last month, we have worked a lot of overtime just to fit everything in. We are so focused on the new pieces – two new creations from Thiago Bordin and Jonathan Dos Santos and a premiere of McMillan’s Concerto, that we haven’t really had the time to think about the productions we are doing the rest of the week – it may be a case of the dancers reminding each other what they are about to dance just before the curtain goes up.

Having said that we have had quite a few weeks this season that have felt like ‘practice’ ballet weeks, with many shows and hard situations, so I think we are well prepared for the stress ahead. This season we have an array of shows to perform:

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BALLETT: RUSALKA
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BALLETT GALA
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Carmina Burana
So as hard as it will be we are doing what we love and will enjoy every moment I am sure. Let’s hope for not too many surprises along the way and a smooth journey till the end – when we can enjoy our four days off as a reward. Toi Toi Toi, chuckers and break a leg to everyone involved and I wish the public a week of enjoyment at the ballet.
With love,
Harriet

That Premiere Feeling

Ever wondered how dancers feel on an opening night of a production? Well you are about to find out…

Opening nights are always full of excitement for both the performers and audience, with a mixture of emotions flying through the theatre. Depending on the production, the stage can be filled with highs or lows while the curtain is up but today I wanted to share with you the emotions we dancers feel once the curtain comes down. The ones the audience never see.

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The whole company & choreographer after the successful premiere of ‘A Midsummer Night’s Dream’

A few weeks ago Staatsballett Karlsruhe had our third premiere of the season performing the colourful creation from Youri Vámos, ‘A Midsummer Night’s Dream’. With this piece being pure entertainment (not only for the public) it was another premiere I will remember always. Continue reading “That Premiere Feeling”